Ecommerce
Creative that has to survive a media buyer.
A monthly flow of video ads for brands spending real money on paid social — built to be tested, cut down and iterated, not admired once and archived.
What arrives each month
Reserved days rather than a per-project quote, because creative that feeds a media buyer has to arrive on a rhythm.
You get
- Reserved editing, creative and AI days every month
- Hooks, cutdowns and ad-ready variations of every asset
- UGC-style pieces produced with multiple openings
- An asset bank that stays yours — organised and reusable
- A monthly debrief: what ran, what we learned, what we test next
You do not get
- A folder of pretty films nobody can run
- One cut per brief and a new invoice for the variation
- A junior on the timeline after the first call
- View counts presented as a result
How a month runs
The same four beats every month, so the flow never depends on a briefing marathon.
Read the account
We look at what is running, what fatigued and where the spend is going, before anyone opens an edit.
Pick the angles
Two or three angles worth testing, each with the hooks that carry them. Written down, agreed, then made.
Produce and cut
Editing from your footage, focused shoots where footage is missing, AI-assisted assets where they serve the cut.
Debrief and reload
The numbers at ad level decide what gets scaled, what gets recut and what the next month tests.
Work that ran this way
Three from the portfolio. Each one shipped as a family of cuts, not a single film.
Ecommerce
Brand / Product
Ecommerce
Ran produced and edited multiple videos that helped me — the Meta/YT campaign manager at the time — hit my monthly targets and generate a lot of revenue… For months on end, Ran's videos were top-performers and target-hitters.
Emil Petkov · Meta/YouTube Campaign ManagerQuestions about this service
How many assets is a month?
It is measured in reserved days rather than a fixed asset count, because a hook test and a full product film cost very different amounts of time. In practice a month lands as a family of cuts around two or three angles, plus the variations each one needs.
We already have footage. Is that enough?
Usually yes, and it is the cheapest place to start. Most accounts are sitting on a library that was cut once, for one placement, and never versioned. That is where the first month tends to find its wins.
Who decides what gets tested?
You approve the angles; we bring the argument for them and the numbers that support it. Nothing goes into production because it would look good on a reel.
Do you buy the media too?
No. We make the creative and read the results with whoever runs the account — your team, your agency, or a media buyer we can recommend. That separation keeps the creative honest.
What does it cost?
The monthly Performance Creative Partner package is ₪15K + VAT. A lighter strategy-only retainer is ₪5K + VAT, and a one-off Campaign Sprint starts at ₪30K + VAT. The pricing block on the homepage has what each includes.
Send us three ads you are running.
We will come back with the three things we would test first — whether you work with us or not.
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